Saturday – September 22


8:00–8:45

 

Hall of Fame – Registration

Great Hall – Breakfast

 

8:45–9:15

 

Great Hall – Opening Remarks:

 

Conference Organizing Committee

Professor Norma Bouchard

Professor Franco Masciandaro

 

9:15-10:30

 

Alumni Lounge

The Fantastic in Italian Cinema

Chair Fulvio Orsitto – University of Connecticut

 

Antonio Morena – Harvard University

The aura of 1932: Camicia Nera

 

Kathryn St. Ours – Goucher College

Fantasy and the Comedic in Pasolinis Uccellacci e uccellini

 

Antonio Vitti – Wake Forest University

An Anti–globalization Utopist Journey with a Rossellinian Gaze: Gianni Amelios La stella che non ce/The Missing Star

 

Board Room

The Fantastic in Dante

Chair Rosetta Giuliani-Caponetto – University of Connecticut

 

Alberto Gabriele – University of Connecticut

The Fantastic and its Other: Platonic Inspiration –and its Challenges–in the poetry of Dante and Wordsworth

 

Giuliana Nuvoli – Universit degli Studi di Milano

Il fantastico nell'Inferno di Dante

 

Sangjin Park – Harvard University

Religious Imagination and Literary Salvation: The Form of Utopia in Dante's Comedy

 

10:30–11:45

 

Alumni Lounge

The Fantastic in the Renaissance I

Chair Dario Del Puppo – Trinity College

 

Sean Cocco – Trinity College

Il Vesuvio e la citt di Napoli nel tardo Rinascimento

 

Dario Del Puppo – Trinity College

A Lingering Fascination with the Fantastic: Brunettos Bestiary in the Renaissance

 

Maria Frank – University of Hartford

Fantastic Elements in the Early Biographies of the Prophet Muhammad

 

Board Room

The Fantastic Italian Language I

Chair Philip Balma – University of Notre Dame

 

Philip Balma – University of Notre Dame

Anglo-Italian compromises: the Constant Evolution of Modern Slang

 

Ermanno Conti – Indiana University

Regional Variations on Italian Slang: le Marche, Tuscany, and Lazio

 

Giovanni Spani – Middlebury College

Writing and Revising a Dictionary of Italian Slang: a Case for Co-authorship.

 

11:45–13:15

 

Alumni Lounge

The Fantastic in the Renaissance II

Chair Maria Frank – University of Hartford

 

Angela Matilde Capodivacca – Yale University

Teofilo Folengos Phantasiae Domus

 

Marina Della Putta Johnston – University of Pennsylvania

The Fantastic In Leonardo: Courtly Entertainment, Art, And Science

 

Anna MaraniniUniversit di Bologna

Animali, uomini, mostri: tenerezze e orrori per unanima sulla soglia

 

Cristina Perissinotto – University of Ottawa

Imagining the World anew: Renaissance, Utopia and the Fantastic

 

Board Room

The Fantastic in Dino Buzzati

Chair Renato Ventura – University of Connecticut

 

Corrado Federici – Brock University

Intuiting the Void beneath the Order in the Fictional World of Dino Buzzati

 

Barnaba Maj – Universit di Bologna

Tra il fantastico e linquietante: lallegoria in Buzzati e Kafka

 

Joseph PerriconeFordham University

La realt dellimmaginario fantastico: motivazioni etiche ed ideologiche in Buzzati, Moravia, Cassieri.

 

FIP Conference Room

Intersections of the Fantastic I

Chair Mario Trubiano – University of Rhode Island

 

Federica K. Clementi – City University of New York

Le Parole Invisibili: Fantastic Architectures in Bruno Schulz and Italo Calvino

 

Roberto Dainotto – Duke University

The Fantastic Italian–American or the Return of the Repressed Southern Question

 

Michelangelo La Luna – University of Rhode Island

Il fantastico arbresh di ieri e di oggi: dal De Rada ad Abate

 

Javier Venturi – University of Massachusetts, Amherst

Il taccuino del viaggio introspettivo ed estrospettivo in Palomar di Italo Calvino

 

13:15-14:15

Great Hall

 

Lunch (for registered participants only)

 

14:15–15:00

 

Great Hall

 

La fantascienza italiana dal 1952 a oggi

 

Valerio Evangelisti

Author and Scholar

 

15:15–16:45

 

Alumni Lounge

Contemporary Perspectives on the Fantastic I

Chair Norma Bouchard – University of Connecticut

 

Christopher Larkosh-Lenotti – University of Massachusetts, Dartmouth

A Portugal of One: Antonio Tabucchis Transnational Fiction and the Futures of European Identity

 

Andrea Malaguti – Columbia University

Liquid Dystopia: Rules and Exceptions of the Fantastic in Sebastiano Vassallis 3012: Lanno del profeta

 

Peter Pedroni – Miami University of Ohio

Two Fantastic Visions of a Post-Atomic World – Carlo Cassola and Paolo Volponi

 

Luca Somigli – University of Toronto

Il mio nome Pantera: sul western fantastico di Valerio Evangelisti

 

Board Room

The Fantastic of Anna Maria Ortese

Chair Paola Sica – Connecticut College

 

Andrea Baldi – Rutgers University

Visitazioni fantastiche nella scrittura di Anna Maria Ortese: tra abbandono onirico e impegno etico

 

Tina Chiappetta-Miller – University of Connecticut

Hybrid Subject / Hybrid Theory: Reading Anna Maria Orteses LIguana via Nomad–Rhizome–Voice

 

Amelia Moser – Columbia University

Sacrifice of the Innocent: Uncanny Techniques in the Works of Anna Maria Ortese

 

FIP Conference Room

The Fantastic from Dante to the Quattrocento

Chair Giovanni Spani – Middlebury College

 

Valerio Cappozzo – Indiana University

Dante e limmaginario onirico popolare

 

Alfredo Crudale – University of Connecticut

Sogno damore: Apparitions of Love in Dantes Vita Nuova

 

Rossana Perri – Universit degli Studi della Calabria

I vostri falsi concetti e illuse oppenioni: il viaggio fantastico nelle diaboliche illusioni di messer Olfo del Paradiso degli Alberti.

 

Giovanni Spani – Middlebury College

Tra cronaca e memoria: La nova gente e i sbiti guadagni.

 

17:00–17:45

 

Great Hall

 

Pirandello e Svevo: due forme diverse di spiritismo

 

Paolo Puppa

Universit di Ca Foscari, Venezia

 

17:45–18:00

 

Great Hall

 

Coffee Break

 

18:00–18:45

 

Great Hall

 

Insinuations of the Fantastic

(Italy, the Turn of the Nineteenth Century)

 

Paolo Valesio

Columbia University

 

18:45–19:30

 
Sports Museum
Aperitivo (for registered participants only)

  

19:30

Great Hall

 

Dinner (for registered participants only)

 

21:00

 

Great Hall

 

Da Svevo a Pirandello

Lettere impossibili di e con Paolo Puppa

 

Monologue by Paolo Puppa

Universit di Ca Foscari, Venezia


Sunday – September 23

 

8:15–9:00

 

Great Hall – Breakfast

 

9:00–10:15

 

Alumni Lounge

The Feminine Fantastic

Chair Tina Chiappetta-Miller – University of Connecticut

 

Silvia Camilotti – Universit Alma Mater Studiorum, Bologna

Letteratura della Migrazione in Lingua Italiana: i Racconti di Christiana de Caldas Brito

 

Barbara GarbinMount Holyoke College

Paola Masino and the Aesthetics of Otherness

 

Giulia Po – City University of New York

Se...: le alternative della fantasia in Sigma Epsilon, opera esordio di Clara Sereni.

 

Board Room

The Fantastic of Tommaso Landolfi

Chair Fulvio Orsitto – University of Connecticut

 

Mattia Acetoso – Yale University

Autumn Tale: representing desire through the Fantastic

 

Simone Castaldi – Hofstra University

Language as a function of the Fantastic in Tommaso Landolfis narrative

 

Leonardo Cecchini – Aarhus Universitet

Tommaso Landolfi scrittore fantastico?

 

 

10:30–11:45

 

Alumni Lounge

The Fantastic of the 20th Century

Chair Renato Ventura – University of Connecticut

 

Rosita Tordi – Universit IULM di Milano

Alberto Savinio. Solitudine e avventura

 

Stefano Lazzarin – Universit de St.Etienne

Gli scrittori del Novecento italiano e la nozione di fantastico

 

Beatrice Sica – New York University

LItalia magica: il fantastico italiano contro il surrealismo francese negli anni Trenta e Quaranta del Novecento.

 

Board Room

The Fantastic of the 19th Century I

Chair Marco Cupolo – University of Hartford

 

Daniela La Penna – University of Reading

Paradigms of Representation and the Paradox of Realism in Camillo Boitos Un corpo

 

Francesca Billiani – University of Manchester

Fallen Women and Disjointed Nations. I. U. Tarchettis Fosca and Camillo Boitos Senso

 

Lisa Sarti – City University of New York

Viaggeremo sullaria: riflessi del fantastico nel Mefistofele di Arrigo Boito.

 

 

12:00–13:15

 

Alumni Lounge

The Fantastic from Genre to Theater

Chair Felice Italo Beneduce – University of Connecticut

 

Anna Lazzari – Universit di Siena

Ai confini dell(in)credibile: la fantascienza di Emilio Salgari

 

Fabrizio Foni – Universit di Trieste

Molta emozione, poco intelletto: narrativa fantastica e horror nelle riviste popolari di primo Novecento

 

Gloria Pastorino – Fairleigh-Dickinson University

Predica ai pesci e il viaggio onirico del Teatro della Valdoca

 

 

Board Room

The Fantastic in Gianni Celati

Chair Charles Klopp – Ohio State University

 

Anna Botta – Smith College

Nomadic Trajectories in Celatis Short Stories

 

Charles Klopp – Ohio State University

Celati africano

 

Rebecca West – University of Chicago

Gianni Celatis Concept of la letteratura come fantasticazione

 

13:15-14:15

Great Hall

 

Lunch (for registered participants only)

 

14:15–15:30

 

Alumni Lounge

The Fantastic of the 19th Century II

Chair Alberto Gabriele – University of Connecticut

 

David Del Principe – Montclair State University

Dont Be Fruitful and Multiply: Gothic Visions of Dystopia

 

Mark Epstein – Rider University

Utopia, Dystopia and the Fantastic in I.U.Tarchetti

 

Andrea Righi – Cornell University

Le forme dellinsubordinazione e il carattere sociale del fantastico. Un confronto tra Le avventure di Pinocchio (1881) di Carlo Collodi e Pinocchio con gli stivali (1977) di Luigi Malerba.

 

Board Room

Intersections of the Fantastic II

Chair Felice Italo Beneduce – University of Connecticut

 

Morena Corradi – University of Pennsylvania

Uno spettro si aggira per l'Italia: istanze del soprannaturale nei giornali della Scapigliatura democratica.

 

Daniela De Pau – Drexel University

Il realismo fantastico di Jean Rouch nelle inchieste di Donne mie

 

Cale LaSalata – University of North Carolina

Terra Madre: An Italian-American reading of Cristo si e' fermato a Eboli

 

15:45–17:00

 

Alumni Lounge

Intersections of the Fantastic III

Chair Gloria Pastorino – Fairleigh-Dickinson University

 

Marco Cupolo – University of Hartford

The Fantastic Language of Vincenzo Rabito

 

Estelle Gilson – Independent Scholar

The long arduous but happily successful task of bringing the voice of Massimo Bontempelli to readers of English

 

Teresa Fava Thomas – Fitchburg State College

The Role of Italian Diplomacy in the US 1870–1903

 

Suzanne Stewart-Steinberg – Brown University

Cesare Lombroso's Phantasms